The Full Lyrics of Oscar Hammerstein II
From each and every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are element of our everyday lives, his words component of our nationwide fabric.
Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new daily life into the moribund art type of operetta by writing lyrics and libretti for this kind of classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, like Sweet Adeline, Music in the Air, and their masterpiece, Display Boat. The lively Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet.
In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the earlier twenty-5 many years taken wonderful strides in the field of musical comedy with his longtime creating partner, Lorenz Hart. The very first Rodgers and Hammerstein function, Oklahoma!, merged the two types into a completely new genre—the musical play—and simultaneously launched the most productive partnership in American musical theater. Over the up coming seventeen years, Rodgers and Hammerstein wrote eight far more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and a single for television (Cinderella). Collectively their operates have earned dozens of awards, like Pulitzers, Tonys, Oscars, Grammys, and Emmys.
Throughout his profession, Hammerstein designed functions of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the great and lovely in the globe. “I know the planet is filled with troubles and many injustices,” he once explained. “But reality is as stunning as it is ugly . . . I just couldn’t write anything at all without having hope in it.”
All of his lyrics are here—850, much more than a quarter published for the 1st time—in this sixth book in the indispensable Total Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, study, and, yes, sing the words of a theatrical and lyrical genius.
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